Sanda (サンダ) & Gaira (ガイラ)
With their humanoid design, Gaira and Sanda are unique in the world of kaijū cinema. They have distinct personalities, making them far more interesting than your average destructive force of nature.
Toho’s King Kong (キングコング Kingu Kongu)
King Kong works better as a stop-motion creation rather than a man in a suit, or at least the suit Toho used. But there's an undeniable charm to Toho's Kingu Kongu. It's hard not to take some pleasure from that frozen expression of joy on his mangy face.
The Gappa Family (ガッパ)
It's a shame Nikkatsu only made this single kaijū film. Gappa, while no masterpiece, has a lot more energy and passion than some of the Godzilla and Gamera efforts that appeared towards the end of the Shōwa era.
Ebirah (エビラ Ebira)
Most Godzilla adversaries are very alien and fantastical in design. King Ghidorah is a three-headed, laser-beam-firing dragon. Hedorah is a giant slab of sludge. Mothra doesn't look like a moth. But Ebirah is a much more earthly monster. He's a giant lobster.
Jiger (ジャイガ Jaigā)
You know from the moment Jiger dredges her fucked up body from the earth that she is going to be a creep. In Gamera vs. Jiger, Jiger does something to Gamera that is the worst thing I've ever seen a giant monster do to another giant monster.
Guiron (ギロン Giron)
Goddamn. I love Guiron. He should have got his own spin-off movie. Although it would probably just be torture porn of him chopping up Space Gyaos.
Barugon (バルゴン)
Barugon is a total bad ass. Born from an opal shaped egg, Barugon wastes no time fucking up Osaka.
Mechagodzilla (メカゴジラ Mekagojira)
It's impossible to explain how much of a mark Mechagodzilla has made such me without sitting everyone down to watch Godzilla vs. Mechagodzilla and Terror of Mechagodzilla while I clap and dribble with mindless glee. But I'll try.
